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You are using an outdated browser. For a better experience, please upgrade your browser here. On average, Black women in the U. From age 16, Black girls are paid less than boys the same age—and the gap only grows from there. Black women enroll in college at higher rates than men overall and—most notably—at higher rates than white men. Black women ask for promotions and raises at about the same rates as white women and men—yet the "broken rung" still holds them back at the first critical step up to manager.
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German-born political cartoonist Thomas Nast gave America some of its most enduring symbols: the Republican elephant, the Democratic donkey, and Uncle Sam. Like many Northerners, Nast supported President Lincoln, and he made his reputation by championing the Union's cause and the dignity of black people. And as Reconstruction-era corruption and violence spun out of control, he drew cartoons that criticized black legislators as strongly as earlier cartoons had championed black suffrage and lamented white supremacist violence. August 5, Columbia's sympathetic gesture towards a wounded black soldier is a reply to a previous panel in which Southern landowners ask her forgiveness. March 23, In this view of Southern justice, a Northerner and a black man are accused of murder and then lynched, while in another panel a Southern gentleman accused of murder is humorously chided by the court.
Content Warning to Readers: Some quotations of image captions in this post contain offensive and derogatory terms used at the times these images were produced, and underscore the obstacles of racism and sexism with which those fighting for the right to vote were confronted. As in most mainstream print culture near the turn of the century, racist caricatures abounded as the nation debated immigration policies and citizenship for different groups, especially Native Americans ,  Chinese Americans ,  and Black Americans. Photo credit: Grant E. In this image, an Irish man thumbs his nose at the white woman and Chinese man excluded from the polls, and a Black man looks on with a contented expression, portrayed by the artist as apparently satisfied with his easy access to voting — which fails to reflect the reality of the violence and repression that Black voters faced from the white power structure in the decades following the Civil War. They cannot vote.